Showing posts with label folk music. Show all posts
Showing posts with label folk music. Show all posts

Monday, October 3, 2022

Monday Music: Percy's Song

Fairport Convention was a British folk/rock group that earned a reputation for recording unreleased Dylan songs. "Percy's Song is a fine example of their (and Dylan's) work. It follows a folk formula of using a beautiful melody to tell a tragic story. Dylan did not release the song himself until his 1985 Biograph. Here is Fairport Convention's beautiful version.


 


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Monday, June 27, 2022

Monday Music: I Dream a Highway (Gillian Welch)

My thanks to Pádraig Ó Tuama, host of Poetry Unbound, for introducing me to "I Dream a Highway," by Gillian Welch.  Here is what he said about it in an email from the On Being Project:

The first time I heard it, I was transfixed. I sat at my table — it was on the radio and I was cleaning the kitchen after a party. I turned out the lights and listened to the song in the dark. Ever since, I have turned to the song from time to time, always with the lights off, always with my eyes closed.

It’s a song of extraordinary longing. When I was writing this, I wrote “a poem of extraordinary longing,” and my mistake isn’t much of a mistake. The voice in the song wonders what will sustain her through a long winter, and she dreams of a highway back to a “you” — who is the you? A lover, perhaps. Or a friend. Or a family member. Or herself. Or all of these. It’s a lyric that’s seeking healing, not perfection. It’s a lyric that’s so full of yearning, it bears its own healing in the sounding of the words.

 


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Monday, May 30, 2022

Monday Music: Ghost of Tom Joad (Pete Seeger and Bruce Springsteen)

"The Ghost of Tom Joad" by Bruce Springsteen takes its inspiration from John Steinbeck's screenplay of The Grapes of Wrath, in which Henry Fonda played the Tom Joad character. It also draws from Woody Guthrie's "Ballad of Tom Joad." It would only be natural to consider Pete Seeger to sing this song with Bruce. After all, Pete once traveled with Woody Guthrie and his folk music laid the groundwork to inspire Springsteen's career.




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Friday, May 20, 2022

Jacob's Ladder: Pete Seeger at Sanders Theater

Pete Seeger had a great gift of getting people to sing together. I heard him in 1985 at a benefit concert at the Sloss Furnace in Birmingham, Alabama. At one point he turned the entire audience into a wonderful choir singing all the parts to "Wimoweh." He did the same thing in 1980 in Cambridge Massachutts' Sanders Theater with "Jacob's Ladder."



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Wednesday, May 18, 2022

Remembering Pete Seeger

The following post was written in February of 2014 following the news of Pete Seeger's death. I am re-posting it now during his birthday month (May 3, 1919) to honor a man of vision, integrity, and continuing influence.  ~ CK


Several years ago I wrote a blog essay titled, “How Pete Seeger Taught Me about Forgiveness.” It is one of those blog posts that continues to get hits month after month, then with the news of Pete Seeger’s death at the age of 94, my blog site was inundated with hits. I was glad that so many who were searching the web for information about the folk singer were finding an essay that was so personal and had such meaning to me. That story, which you can read here, related how Seeger’s example helped me as an adult to learn an important life lesson.

A Lifetime of Influence

The fact is that Pete Seeger was influencing my life before I even knew who Pete Seeger was. As a kid, when we were at school or at church and someone decided we all ought to sing a song, someone would usually come out with, “If I had a Hammer.” On the radio, The Byrds were “Turn, Turn, Turn.” At youth camps and retreats we would sing, “Where Have All the Flowers Gone?” I knew all of these songs without knowing who Pete Seeger was or that he had written those songs. He had an important message to share about what it meant to be alive, what values were important for us to strive for and hold on to. Those values and lessons were being instilled into our minds and into our culture by way of the songs that the folk singer wrote. 

The first time I became aware of Pete Seeger was when I was in the seventh grade and he was a guest on The Smothers Brothers Show. Having been blacklisted from radio and television since the 1950s, that was his first national broadcast TV appearance in my lifetime. I remember him singing "Guantanamera." He also sang a song in protest of the Viet Nam war, "Waist Deep in the Big Muddy," which was censored from the telecast, but Seeger was allowed to come back on a later date to perform it again. His call for peace struck a deep chord with me since I had been living in the shadow of Viet Nam since I was  11 or 12 years of age and would continue to do so until the draft was ended just before my eighteenth birthday. The ideal of peace in our time would remain with me to this day. 


It was my privilege to finally see the folk singer in person back in 1985 when he came to do a benefit concert at Sloss Furnace in Birmingham, Alabama. My wife and I attended and it was quite a memorable event. Pete Seeger would have been around 65 and he gave a dynamic performance. I still remember how he turned the entire audience into a choir singing in parts the refrain to "Wimoweh" while he bellowed out those high notes. 

His Social Vision

Many people have been writing this week about the remarkable life that Pete Seeger lived. PBS aired a re-broadcast of “The Power of Song” a beautiful documentary of Seeger’s life.  Arlo Guthrie shared some personal reflections about him with Time Magazine:

Pete had a real vision of what the country was about. He came from a long line of Puritan stock. His family had been in the country a very, very long time, and he had a sense of history. He wasn’t just a scholar of music; he was also a political scholar and a historical scholar. He loved the idealism of a nation founded on the principles he thought were important, and he spread that wherever he went.
I think to be asked about his religion, or about his beliefs, or about his political thoughts, was such an insult to him, because it was insulting to every American. He had a way of taking these personal events in his life and moving them forward so that they included everyone. If it had just affected him, he wouldn’t have said anything; he wouldn’t have written about it; he wouldn’t have made a big deal. But because it affected everyone, he was involved. I think that’s one of the things that motivated him about the environment, the war in Vietnam, the Civil Rights movement. Sometimes he was right; sometimes he was wrong, but he was right most of the time. And he set out to make the country in what he imagined it was meant to be, what it could be. Whatever was going on, he was there because he had a sense of how it impacted everyone. It was not just personal. It was America.



Here is a brief excerpt from a tribute, “Remembering Pete,” by Rich Warren, host of The Midnight Special on WMFT radio in Chicago:

Pete Seeger, singer of folksongs, became the icon of American folk music against his will. He insisted the song was more important than its singer, and the listener was more important than the performer... Pete Seeger: idealist, iconoclast, and inspiration. He welcomed the friendship of anyone who loved music; his humble cabin in Beacon, New York became a gathering place of song. Pete lacked the gorgeous voice of his contemporaries such as Theo Bikel; he may have lacked the banjo and guitar finesse of the many he inspired to take up those instruments; but it was his spirit and his presence; his complete conviction and caring that always carried the day, the movement, and his popularity.

Coincidentally, in the January edition of The Oxford American is an article by Daniel Brook about the Highlander Folk School, a grassroots education center that once existed near Monteagle, Tennessee. It was there that Pete Seeger taught Martin Luther King his version of “We Shall Overcome,” which became the anthem for the Civil Rights Movement.” 

"An Inconvenient Artist"

Pete Seeger was blacklisted in the wake of the Communist scare during the McCarthy days of congressional hearings back in the 1950s and early 60s. Unable to appear on television or the radio, the folk singer began a career of touring college campuses. Ironically, he had a greater influence there than he might have had if he had remained in the broadcast media. He was highly instrumental in the folk revival that swept the college scene and gave cohesion to the student protests for peace during the 1960s. He was a strong and constant advocate for important social causes that included civil rights, peace, and environmental responsibility. The man who had been feared as a communist sympathizer when he was younger was honored with the National  Medal of the Arts at the age of 75. Upon granting the award, President Bill Clinton called him "an inconvenient artist, who dared to sing things as he saw them." Pete Seeger was a truly remarkable man. May his inspiration and influence continue in the years to come.   

From the film documentary, Pete Seeger: The Power of Song:

“Once upon a time, wasn’t singing a part of everyday life? As much as talking, physical exercise and religion, our distant ancestors wherever they were in this world, sang while pounding grain, paddling canoes, or walking long journeys. Can we begin to make our lives once more all of a piece? Finding the right songs and singing them over and over is a way to start. And when one person taps out a beat while another person leads into the melody, or when three people discover a harmony they never knew existed, or a crowd joins in on a chorus as though to raise the ceiling a few feet higher, then they also know there is hope for the world.”

                   ~Pete Seeger





For further reading:


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    Monday, April 11, 2022

    Monday Music: The Highwayman (Phil Ochs)

    During National Poetry Month, I am using my Monday Music feature to present songs that were first poems and later set to music. "The Highwayman" was written by Alfred Noyes and published in 1906 in Blackwood's Magazine (Edinburg, Scotland). Phil Ochs's song is an interpretation of the Noyes poem and it was recorded on the 1965 album, "I Ain't Marching Anymore."



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    Monday, January 31, 2022

    Monday Music: Bob Dylan's Birthday Celebrated from Ireland

    Dylan has long had a strong fan base in Ireland and this is a lovely celebration. It includes poetry readings and folk-style acoustic covers of Dylan's songs.

     


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    Monday, October 11, 2021

    Monday Music: Early Morning Rain (Eva Cassidy)

    "Early Morning Rain," written and recorded by Gordon Lightfoot, was a hit on the folk music scene in the mid-1960s. It was recorded by many other folk artists, including Ian and Sylvia, Judy Collins, and Peter, Paul & Mary.  Here is Eva Cassidy's superb rendition released in 2002 (six years after her death) on the album, Imagine.



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    Monday, August 23, 2021

    Monday Music: Tecumseh Valley (Nanci Griffith)

    We lost beloved folk singer, Nanci Griffith, last week. One of the tracks on her 1993 album, Other Voices, Other Rooms  offers a beautiful rendition of Townes Van Zandt's, "Tecumseh Valley." Arlo Guthrie accompanies Ms. Griffith on the recording. 

     


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    Monday, July 12, 2021

    Monday Music: The Cape (Guy Clark)

    Here's one that one of my friends recommended. Lot's of good stuff in Guy Clark's song catalog.

     


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    Monday, August 3, 2020

    The Bells Of Rhymney (Jakob Dylan)

    "The Bells of Rhymney" was first recorded by Pete Seeger. Seeger wrote the music to accompany the words of Welsh poet Idris Davies commemorating the coal mine disaster in Wales in 1926. The Byrds recorded the song in 1965 and gave it their own unique pop/rock flavor which influenced the California rock sound of the '60s.  Echo in the Canyon is a documentary about the evolving music industry in LA's Laurel Canyon during that era. Jakob Dylan offers a fine rendition of the song. 





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    Monday, March 2, 2020

    Songs of Social Consciousness:The Ballad of Ira Hayes (Johnny Cash)

    Ira Hayes was one of the soldiers who raised the flag in that iconic photo of Iwo Jima during WWII. In 1964, Johnny Cash, in what was seen by some as a risky move for his singing career, recorded a concept album, Bitter Tears: Ballads of the American Indian, to raise public awareness about the plight of Native Americans. "The Ballad of Ira Hayes," written by Peter LaFarge, reached #3 on the Country Singles chart that year, and certainly brought some education and awareness to the airwaves that year.




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    Monday, February 17, 2020

    Monday Music: Barbara Allen (Joan Baez)

    From Far Out magazine:

    In 1958, while honing her craft, a 17-year-old singer going by the name of Joan Baez took to the stage at the iconic ‘Club 47’ in Cambridge, Massachusetts.

    The venue, which became the epicentre of the folk music scene around the area from 1958-1968, would see the likes of Shawn Colvin, Bob Dylan, Tom Rush, Joni Mitchell and more kickstart their careers from their intimate stage.



    Joan Baez would be the name that sticks out following her breakthrough show in the late 1950s. The footage, which was once considered lost, was restored by American Masters who created a feature film celebrating fifty years of Baez in Joan Baez: How Sweet the Sound.


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    Monday, November 5, 2018

    Monday Music: Blood in My Eyes (Bob Dylan)

    From Bob Dylan's 1993 album, World Gone Wrong, a compilation of traditional folk and blues songs. To film the video, he went to London dressed like a man from another century.





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    Monday, July 2, 2018

    Monday Music: Sparrow (Simon & Garfunkel)

    "Sparrow," by Paul Simon, from Simon & Garfunkel's first album, WEDNESDAY MORNING, 3 AM.  Art Garfunkel mentioned in his memoir, What is it all but luminos, "We knew how to do Sparrow from the summer of working English folk clubs."




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    Saturday, May 26, 2018

    Dylan Covers: Boots of Spanish Leather (Nanci Griffith)

    In honor of Bob Dylan's birthday this week, I'm sharing some of his songs performed by other singers. Nanci Griffiths has had a long successful musical career that has included country and folk genres. Here is a magical rendition of "Boots of Spanish Leather."






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    Monday, May 7, 2018

    Monday Music: 500 Miles (Peter, Paul & Mary)

    I have heard "500 Miles" all my life, it seems. It was written in 1961 by folk singer Hedy West and quickly became so ingrained into the fabric of our culture that most Americans probably know the song. Sometimes the simplest of songs can become the most enduring and profound.

    I gained a new appreciation for the song in 1981 when I went to Hong Kong to teach English for two years. One of my colleagues, Linda Pegram, worked with the Vietnamese refugees. At that time there were large refugee camps in Hong Kong and in The Philippines to aid in the resettlement of refugees from Vietnam to other parts of the world. American folk songs were quite popular throughout Hong Kong, but I learned from my friend, Linda, that among the Vietnamese refugees, "500 Miles" was one of the best loved songs. It, of course, spoke to their own plight of being far from home, with few possessions to call their own. I cannot hear the song today without seeing the images of those refugee camps.

    In the video below, live concert footage accompanied by the original studio recording by Peter Paul & Mary make this a stunning offering. Mary Travers is superb -- riveting and captivating with her clear, strong, and plaintive voice.





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    Monday, August 28, 2017

    Monday Music: Tomorrow Is a Long Time

    "Tomorrow Is a Long Time," by Bob Dylan has been covered by many, including Judy Collins, Elvis Presley, the Grateful Dead, and Odetta Holmes. Dylan's original live recording of it was featured on the television series, The Walking Dead.

    In the video below, singer John Winn tells of when he first heard Dylan sing the song back in the early days when they were both living in Greenwich Village. Winn, at the age of 80 recalls the young Dylan's state of mind and the circumstances that inspired him to write the song. He then gives us his rendition of this simple, plaintive, and moving song.





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    Monday, July 17, 2017

    Monday Music: Way Over Yonder in the Minor Key

    "Way Over Yonder in the Minor Key," was among the many songs written by Woody Guthrie that were discovered after his death. Guthrie had not set music to the lyrics, so Billy Bragg wrote the music to go with the song. This recording is from Bragg's folk album Mermaid Avenue. From the liner notes of the album:

    "In 1995, Nora Guthrie approached Billy Bragg with the idea of setting music to many of Woody's lyrics to which there had been no music. These lyrics/poems came out of the Woody Guthrie Archive. Billy joined with the band Wilco and they set music to these songs. The album was released in 1998 to critical acclaim, made bestseller lists, and earned a Grammy nomination. The album's title comes from the street in Coney Island, Brooklyn where Woody and his family lived."




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