Fairport Convention was a British folk/rock group that earned a reputation for recording unreleased Dylan songs. "Percy's Song is a fine example of their (and Dylan's) work. It follows a folk formula of using a beautiful melody to tell a tragic story. Dylan did not release the song himself until his 1985 Biograph. Here is Fairport Convention's beautiful version.
Monday, October 3, 2022
Monday, June 27, 2022
Monday Music: I Dream a Highway (Gillian Welch)
The first time I heard it, I was transfixed. I sat at my table — it was on the radio and I was cleaning the kitchen after a party. I turned out the lights and listened to the song in the dark. Ever since, I have turned to the song from time to time, always with the lights off, always with my eyes closed.
It’s a song of extraordinary longing. When I was writing this, I wrote “a poem of extraordinary longing,” and my mistake isn’t much of a mistake. The voice in the song wonders what will sustain her through a long winter, and she dreams of a highway back to a “you” — who is the you? A lover, perhaps. Or a friend. Or a family member. Or herself. Or all of these. It’s a lyric that’s seeking healing, not perfection. It’s a lyric that’s so full of yearning, it bears its own healing in the sounding of the words.
Monday, May 30, 2022
Monday Music: Ghost of Tom Joad (Pete Seeger and Bruce Springsteen)
"The Ghost of Tom Joad" by Bruce Springsteen takes its inspiration from John Steinbeck's screenplay of The Grapes of Wrath, in which Henry Fonda played the Tom Joad character. It also draws from Woody Guthrie's "Ballad of Tom Joad." It would only be natural to consider Pete Seeger to sing this song with Bruce. After all, Pete once traveled with Woody Guthrie and his folk music laid the groundwork to inspire Springsteen's career.
Friday, May 20, 2022
Jacob's Ladder: Pete Seeger at Sanders Theater
Pete Seeger had a great gift of getting people to sing together. I heard him in 1985 at a benefit concert at the Sloss Furnace in Birmingham, Alabama. At one point he turned the entire audience into a wonderful choir singing all the parts to "Wimoweh." He did the same thing in 1980 in Cambridge Massachutts' Sanders Theater with "Jacob's Ladder."
Wednesday, May 18, 2022
Remembering Pete Seeger
The following post was written in February of 2014 following the news of Pete Seeger's death. I am re-posting it now during his birthday month (May 3, 1919) to honor a man of vision, integrity, and continuing influence. ~ CK
Several years ago I wrote a blog essay titled, “How Pete Seeger Taught Me about Forgiveness.” It is one of those blog posts that continues to get hits month after month, then with the news of Pete Seeger’s death at the age of 94, my blog site was inundated with hits. I was glad that so many who were searching the web for information about the folk singer were finding an essay that was so personal and had such meaning to me. That story, which you can read here, related how Seeger’s example helped me as an adult to learn an important life lesson.
A Lifetime of Influence
The fact is that Pete Seeger was influencing my life before I even knew who Pete Seeger was. As a kid, when we were at school or at church and someone decided we all ought to sing a song, someone would usually come out with, “If I had a Hammer.” On the radio, The Byrds were “Turn, Turn, Turn.” At youth camps and retreats we would sing, “Where Have All the Flowers Gone?” I knew all of these songs without knowing who Pete Seeger was or that he had written those songs. He had an important message to share about what it meant to be alive, what values were important for us to strive for and hold on to. Those values and lessons were being instilled into our minds and into our culture by way of the songs that the folk singer wrote. The first time I became aware of Pete Seeger was when I was in the seventh grade and he was a guest on The Smothers Brothers Show. Having been blacklisted from radio and television since the 1950s, that was his first national broadcast TV appearance in my lifetime. I remember him singing "Guantanamera." He also sang a song in protest of the Viet Nam war, "Waist Deep in the Big Muddy," which was censored from the telecast, but Seeger was allowed to come back on a later date to perform it again. His call for peace struck a deep chord with me since I had been living in the shadow of Viet Nam since I was 11 or 12 years of age and would continue to do so until the draft was ended just before my eighteenth birthday. The ideal of peace in our time would remain with me to this day.
It was my privilege to finally see the folk singer in person back in 1985 when he came to do a benefit concert at Sloss Furnace in Birmingham, Alabama. My wife and I attended and it was quite a memorable event. Pete Seeger would have been around 65 and he gave a dynamic performance. I still remember how he turned the entire audience into a choir singing in parts the refrain to "Wimoweh" while he bellowed out those high notes.
"An Inconvenient Artist"
Pete Seeger was blacklisted in the wake of the Communist scare during the McCarthy days of congressional hearings back in the 1950s and early 60s. Unable to appear on television or the radio, the folk singer began a career of touring college campuses. Ironically, he had a greater influence there than he might have had if he had remained in the broadcast media. He was highly instrumental in the folk revival that swept the college scene and gave cohesion to the student protests for peace during the 1960s. He was a strong and constant advocate for important social causes that included civil rights, peace, and environmental responsibility. From the film documentary, Pete Seeger: The Power of Song:
- The Telegraph, always an excellent source of information, has an obituary that includes video clips from some of Pete Seeger’s performances at http://www.telegraph.co.uk/news/obituaries/10601366/Pete-Seeger-obituary.html
- To see a 2008 interview with the folk singer on the radio program, Thistle & Shamrock, go to http://www.thistleradio.com/index.php?option=com_content&view=article&id=682:pete-seeger&catid=41:archived-interview-transcripts&Itemid=69
- See Pete Seeger along with his grandson Taos Rodriquez and Arlo Guthrie performing "Wimoweh" at The Wolf Trap at http://notdarkyet-commentary.blogspot.com/2012/10/monday-music-pete-seeger-wimoweh.html
- "Pete Seeger: How can I keep from singing?" By Sarah van Gelder Folk legend Pete Seeger talks about his life in music and social activism – and the power of making millions of small changes. At http://www.csmonitor.com/World/Making-a-difference/Change-Agent/2014/0131/Pete-Seeger-How-can-I-keep-from-singing
- Pete Seeger In His Own Words, by Pete Seeger (2012) Paradigm Publishers. “Although he has never written an autobiography, his life story is nowhere more personally chronicled than in the private writings, documents, and letters stored for decades in his family barn.”
Monday, April 11, 2022
Monday Music: The Highwayman (Phil Ochs)
Monday, January 31, 2022
Monday Music: Bob Dylan's Birthday Celebrated from Ireland
Monday, October 11, 2021
Monday Music: Early Morning Rain (Eva Cassidy)
"Early Morning Rain," written and recorded by Gordon Lightfoot, was a hit on the folk music scene in the mid-1960s. It was recorded by many other folk artists, including Ian and Sylvia, Judy Collins, and Peter, Paul & Mary. Here is Eva Cassidy's superb rendition released in 2002 (six years after her death) on the album, Imagine.
Monday, August 23, 2021
Monday Music: Tecumseh Valley (Nanci Griffith)
We lost beloved folk singer, Nanci Griffith, last week. One of the tracks on her 1993 album, Other Voices, Other Rooms offers a beautiful rendition of Townes Van Zandt's, "Tecumseh Valley." Arlo Guthrie accompanies Ms. Griffith on the recording.
Monday, July 12, 2021
Monday Music: The Cape (Guy Clark)
Here's one that one of my friends recommended. Lot's of good stuff in Guy Clark's song catalog.
Monday, August 3, 2020
The Bells Of Rhymney (Jakob Dylan)
Monday, March 2, 2020
Songs of Social Consciousness:The Ballad of Ira Hayes (Johnny Cash)
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Monday, February 17, 2020
Monday Music: Barbara Allen (Joan Baez)
In 1958, while honing her craft, a 17-year-old singer going by the name of Joan Baez took to the stage at the iconic ‘Club 47’ in Cambridge, Massachusetts.
The venue, which became the epicentre of the folk music scene around the area from 1958-1968, would see the likes of Shawn Colvin, Bob Dylan, Tom Rush, Joni Mitchell and more kickstart their careers from their intimate stage.
Joan Baez would be the name that sticks out following her breakthrough show in the late 1950s. The footage, which was once considered lost, was restored by American Masters who created a feature film celebrating fifty years of Baez in Joan Baez: How Sweet the Sound.
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Monday, December 16, 2019
Monday, November 5, 2018
Monday Music: Blood in My Eyes (Bob Dylan)
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Monday, July 2, 2018
Monday Music: Sparrow (Simon & Garfunkel)
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Saturday, May 26, 2018
Dylan Covers: Boots of Spanish Leather (Nanci Griffith)
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Monday, May 7, 2018
Monday Music: 500 Miles (Peter, Paul & Mary)
I gained a new appreciation for the song in 1981 when I went to Hong Kong to teach English for two years. One of my colleagues, Linda Pegram, worked with the Vietnamese refugees. At that time there were large refugee camps in Hong Kong and in The Philippines to aid in the resettlement of refugees from Vietnam to other parts of the world. American folk songs were quite popular throughout Hong Kong, but I learned from my friend, Linda, that among the Vietnamese refugees, "500 Miles" was one of the best loved songs. It, of course, spoke to their own plight of being far from home, with few possessions to call their own. I cannot hear the song today without seeing the images of those refugee camps.
In the video below, live concert footage accompanied by the original studio recording by Peter Paul & Mary make this a stunning offering. Mary Travers is superb -- riveting and captivating with her clear, strong, and plaintive voice.
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Monday, August 28, 2017
Monday Music: Tomorrow Is a Long Time
In the video below, singer John Winn tells of when he first heard Dylan sing the song back in the early days when they were both living in Greenwich Village. Winn, at the age of 80 recalls the young Dylan's state of mind and the circumstances that inspired him to write the song. He then gives us his rendition of this simple, plaintive, and moving song.
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Monday, July 17, 2017
Monday Music: Way Over Yonder in the Minor Key
"In 1995, Nora Guthrie approached Billy Bragg with the idea of setting music to many of Woody's lyrics to which there had been no music. These lyrics/poems came out of the Woody Guthrie Archive. Billy joined with the band Wilco and they set music to these songs. The album was released in 1998 to critical acclaim, made bestseller lists, and earned a Grammy nomination. The album's title comes from the street in Coney Island, Brooklyn where Woody and his family lived."
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