During the month of April, in celebration
of National Poetry Month, I highlighted poetry as an oral art
form – the spoken word delivered to an audience. I noted
that “the speaking and the hearing of poetry have always been central
to its beauty and its effect upon people.”
Throughout the month, I shared video
presentations of poets reading or reciting their works as well as
other people reading the works of poets. I was able to share oral presentations
of nine poets from diverse backgrounds. There were well over 1,000 views of those
blog posts. The work of local spoken word artist Michael Harriot, “My
Mama's So Black” received the most views, followed closely by Helen
Mirren's reading of Tennyson's “Ulysses.”
All of the presentations seemed to
be well received. Particularly effective was Bill Murray's reading of “What
the Mirror Said,” by Lucille Clifton, and, of course, Maya Angelou's own
presentation of “And Still I Rise.” I was glad to hear some Native
American perspective with Joy Harjo's presentation.
Some told me that my reading of “Conscientious
Objector,” by Edna St. Vincent Millay, was their first time to even hear
about that poem. Others remarked that “Digging,” by Seamus Heaney was
their all time favorite poem. One of my favorites was to be able to sit and
listen to an evening with Coleman Barks reading from his translations of Rumi.
I am happy to have done some small
part in presenting poetry in its oral form, and glad to have introduced some
new voices as well as some old favorites to the readers of my blog. Thank you all for taking time to
appreciate poetry as a spoken art form this month.
In case you missed any of them, you will find them listed below, with a hyperlink to take you to each presentation.
In case you missed any of them, you will find them listed below, with a hyperlink to take you to each presentation.
“Digging,” by Seamus Heaney
Charles Kinnaird Reads “Conscientious Objector,” by Edna St. Vincent Millay
Charles Kinnaird Reads “Conscientious Objector,” by Edna St. Vincent Millay
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