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Showing posts with label William Carlos Williams. Show all posts
Showing posts with label William Carlos Williams. Show all posts
Tuesday, April 23, 2019
Poetry at the Movies: Paterson
Paterson, New Jersey, is the hometown of the poet William Carlos Williams. Paterson, the movie,by filmmaker Jim Jarmusch, portrays a week in the life of a bus driver named Paterson, who lives in the town of Paterson, NJ. You can red my review of the film here, and you can see the official trailer below.
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Wednesday, September 12, 2018
Movie Notes: The Poetry of Paterson
A friend of mine recommended the film, Paterson a while back. I noticed that it was available on DVD at one of the public library branches, so I checked it out last week. I found it to be an enjoyable film with a thoughtful pace. It does not delve deeply into the art or the impact of poetry but does create a sense of liminal space which is for me the kind of quiet space where creativity can take place.
Paterson, by filmmaker Jim Jarmusch, portrays a week in the life of a bus driver named Paterson, who lives in the town of Paterson, NJ. He is a quiet fellow who goes about his day writing poetry about the things he sees, hears, and feels. He has no thought of sharing his poetry, though his wife tries to encourage him to make copies that he can show to others.
A Town for Poets
The fact that Paterson is also the hometown of the poet William Carlos Williams serves to further underscore the role of poetry in this ordinary town. Williams, in fact, was a physician who wrote his poetry during the course of the day and wrote about everyday life, just as our bus driver protagonist does in the film.
The fact that Paterson is also the hometown of the poet William Carlos Williams serves to further underscore the role of poetry in this ordinary town. Williams, in fact, was a physician who wrote his poetry during the course of the day and wrote about everyday life, just as our bus driver protagonist does in the film.
Ron Padgett wrote the poetry for the movie. His poems are placed on the screen as Paterson writes them. All in all, Paterson is a film that quietly celebrates the role of poetry and art for ordinary people in ordinary times. English film critic, Mark Kermode, describes the movie as essentially a tone poem, which I think if a very apt description.
Subtle Symbolism
Subtle Symbolism
One thing I found interesting was the recurrence of twins in the movie, and I wondered what the filmmaker intended by that. There were three sets of twins making cameo appearances, as it were. One the sets of twins included a young schoolgirl who was herself a poet. Could it be that the twin idea is pointing to a creative counterpart within each of us?

One last aside, and speaking of twins, I couldn’t help noticing that the bartender, Doc, who Paterson talks to every night, bears a strong resemblance to his dog, Marvin.
If you are in the mood for a quiet film that celebrates poetry and the wonders of ordinary life, check out Paterson. It is well written and well crafted with excellent acting and character portrayal. The acting is understated, which takes talent to pull off, and it lends to the poetic pace of the film. You will be inspired and may want to find a quiet corner, a cup of coffee, and a book of poetry so engaging that your coffee gets cold.
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Here are some added attractions:
Ron Padgett’ s poem, “How to be perfect,” can be found online at Poetry Foundation.
PBS NewsHour offered a segment which includes a brief interview with the filmmaker, Jim Jarmusch along with poet Ron Padgett. You can see that here.
A brief talk by Ron Padgett can be seen on YouTube in which he talks about his own poetic inspirations and influences. To view that, go here.
Wednesday, April 27, 2016
Poetry of Perception - "Smell," by William Carlos Williams
Part 4 of 8 in the Poetry of Perception series from HarvardX Neuroscience. For the rest of the features in the series, go to the Vimeo site here.
Wednesday, August 26, 2015
So Much Depends: Imitative Poetry
The Gifts of a Wordsmith Adult Poetry Workshop meets at the Birmingham Public Library on the first and third Tuesdays of every month. I have found it to be a great place to experiment with the craft of poetry. It is a wonderful non-threatening environment to learn new techniques and try out new ideas.
Recently, the group examined imitative poetry. Imitative poetry often takes the form of parody. The Grand X Anthology of Poems, by William Zaranka is a fine collection of parodies written from Chaucer’s time to the present, containing over 400 pages of parodies of all the major poets, minor poets, and some unknown poets. I tried my hand at parody years ago with “Stopping by Publix on a Snowy Evening.” It was a parody of Robert Frost’s poem, “Stopping by Woods on a Snowy Evening,” and also a send up of the way we southerners panic at the hint of a couple of inches of snow.
Imitative poetry can also be an opportunity for the poet to experiment with the process of poetry. Our instructor provided some examples of famous poems so that we could try our hand at imitative poetry. One of the poems was one that I have long admired by William Carlos Williams:
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"The Red Wheelbarrow" poem found at The Poetry Foundation
Picture found at English Teachers Everywhere
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The Red Wheelbarrow
By William Carlos Williams
so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.
I took advantage of our workshop time to think of an important time in my life and fashioned my poem by imitating William Carlos Williams’ brief evocative poem. Keeping the form and some of the words leaves no doubt as to the tip of the hat to the famous poet, yet the content is entirely reflective on my own experience.
The Yellow High Chair
By Charles Kinnaird
so much depends
upon
a yellow high
chair
glazed with Gerber
carrots
beside the gray
cat.
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"The Red Wheelbarrow" poem found at The Poetry Foundation
Picture found at English Teachers Everywhere
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